Hardly Art

Now that the mad rush of last year’s Best Of lists has subsided, it feels like a good time to revisit one of 2016’s most beguiling dark horses. If you were fortunate enough to discover Die Alone, the debut album by Seattle’s Gazebos, upon its initial release, its thrilling mixture of punk, new wave, glam, garage, cabaret, and psychedelia will have made an indelible impression.

Though each one of those modifiers could be unpacked forever, The Stranger’s assessment that Die Alone “sounds like it sprang from some eternal glittery, skinny-tied 1979 of the mind” is a useful shorthand. It seems obvious to say, but the world was a very different place a year ago, but Die Alone’s collision of anxiety, dysphoria, and enthusiasm sounds curiously relevant as we face down the uncertainty of 2017.

Gazebos is motorized by the songwriting collaboration between singer Shannon Perry and guitarist TV Coahran, but in a reversal of the familiar cliché, their distinctive talents don’t coalesce into anything as cozy as a singular vision. Rather, they explode into a multiverse of sounds, styles, and sensibilities that make the band’s repertoire into a barrage of musical diversity whose focal point is Perry’s dazzlingly inventive verbal and melodic high-wire act—were she to fall, she’d land somewhere between Nina Hagen, David Byrne, and, hell, I don’t know, Rihanna?

No two Gazebos songs sound quite the same, but neither could a single one be created by anyone but Gazebos. Try doing an A/B test on “Just Get High” and “Ere Specka,” or “Boys I Like” and “There Are Worse Things I Could Do” (surely the least ironic showtune recorded in the last decade), and you’ll hear it. Love songs about the impossibility of love? Drug songs that would make sense in week three of rehab? Nonsense syllables that sound like indispensable wisdom? Check, check, check. Perry’s got them all.

Or you could just go see them play live. The same profusion of unbridled, eccentric creativity that fuels Die Alone also makes every Gazebos show into an event that should only be missed in case of a dire emergency—and even then… the kind of freaky maelstrom that roils around Perry’s astonishing presence isn’t something that comes along every day.

But the good news is: It’s coming your way soon.

Every band is a work in progress, and nearly a year after releasing their debut album, Gazebos is progressing very nicely, thank you. Armed with two new members (bassist Kimberly Morrison and drummer Tyler Swan join Perry and Coahran), new songs, and a renewed sense of purpose, they’re embarking on a short tour down the West Coast in preparation for going back into the studio to record a follow-up album. 


“[Shannon Perry’s] voice is like its own strange percussion instrument, bouncing off at odd angles on the edges of the beat, switching between melody and spoken-word intervals.” – The Stranger

“Whereas so much rock ‘n’ roll focuses on the shame of life’s lowest moments, Gazebos let you know that hitting rock bottom isn’t so terrible.” – The Portland Mercury

“Self-proclaimed ‘Whoa-Pop,’ Gazebos pack a powerful punch with singer Shannon Perry’s infectious coos and yips.” – KEXP

“Contagiously fun.” – City Arts Magazine


On Tour